Imagine a painting. The stereo master is the finished canvas hanging in a museum. The multitrack master is the pile of 24 individual transparencies—each containing just the drums, just the bass, just the backing vocals, or just the cough at the end of the fourth take.
Furthermore, digital formats become obsolete every decade (DAT, ADAT, DCC). The collection includes 12,000 ADAT tapes that require a specific Alesis machine last manufactured in 2003. They have four machines left. When those break, the data on those tapes is gone forever. You cannot visit. If you attempted to find the facility, you would find a nondescript industrial park with no signage. Security is provided by former military contractors. The external power grid is backed by three tier-4 diesel generators and a solar array. The Largest Multitrack Music Collection Ever- -...
However, you can hear the collection. Every time you listen to the 2019 remix of Let It Bleed , or the 2023 Dolby Atmos version of "A Change Is Gonna Come," you are listening to a digital clone of a tape pulled from this vault. The largest multitrack music collection ever assembled is more than a warehouse of plastic and rust. It is the sonic equivalent of the Rosetta Stone. In those 250,000 reels lies the truth of how music was made: the missed cues, the magic takes, the studio banter between songs, and the half-second of silence where an engineer lit a cigarette. Imagine a painting
In the 1960s and 70s, Allen Klein negotiated contracts for some of the biggest acts in the world: The Rolling Stones, The Beatles (via Apple), Sam Cooke, The Kinks, and The Animals. When labels went bankrupt or artists fought for ownership, the master tapes often fell into a legal gray area. Klein’s strategy was simple: Secure the physical assets. When those break, the data on those tapes is gone forever
For inquiries regarding licensing or research access to the collection, no you cannot. Please enjoy the commercial releases.