Enter: . Part 2: The SHM-CD Revolution – What Makes It Different? In 2008, seven years after the original release, Toshiba-EMI (now Universal Music Japan) revisited Greatest Hits using a then-revolutionary polycarbonate plastic developed with Taiyo Yuden. This was SHM-CD (Super High Material CD).
In the vast, shadowy universe of The Cure’s discography—where B-sides bloom like dark flowers and live bootlegs capture Robert Smith’s every howl—there exists a peculiar, shimmering artifact. It is not a rare demo from 1978, nor a colored vinyl reissue of Disintegration . It is, on the surface, a greatest hits album. But to the serious collector and lossless audio enthusiast, the combination of 2001, SHM-CD, Japan, and FLAC transforms a simple compilation into the holy grail of digital Cure listening. the cure greatest hits 2001 shmcd japan flac
The answer is nuanced. The 2005 Greatest Hits reissue (with added "Join the Dots" B-sides) is not as good. The 2011 "Deluxe Edition" of Greatest Hits uses a compressed remaster. The rare 2020 Japanese Blu-spec CD2 is close, but many argue the 2001 SHM-CD has a warmer, more analog-like midrange. Enter:
Format recommendation: 16-bit / 44.1kHz FLAC (Level 8 compression). Playback via foobar2000, Audirvana, or Plexamp with volume normalization OFF. This was SHM-CD (Super High Material CD)