Fennell has stated that the ending is meant to be tragic but hopeful. "It’s a tragedy," she said. "But it is also a fantasy... If Cassie had killed him, he would have been the victim. But by making him a murderer, she exposed him for what he is." No analysis of Promising Young Woman is complete without discussing its needle drops. The soundtrack is a genius exercise in irony. The film opens with Charli XCX's "Boys"—a bubblegum pop song celebrating the 'fun' of men—played over a montage of men being predatory in a club.
When writer-director Emerald Fennell first introduced the world to Promising Young Woman at the Sundance Film Festival in 2020, few predicted the cultural earthquake it would trigger. Released theatrically on Christmas Day 2020 (and later winning the Academy Award for Best Original Screenplay), the film was marketed as a revenge thriller. But to label Promising Young Woman simply as "revenge" is like calling The Godfather a movie about weddings. Promising Young Woman
Unlike most revenge fantasies (looking at you, Kill Bill ), Cassie does not win. In a gut-wrenching third act, she goes to Al Monroe’s bachelor party. She intends to replicate his crime—to scar him the way he scarred Nina—but she hesitates. She decides instead to brand the victim's name onto his skin. Before she can follow through, Al overpowers her. He suffocates her with a pillow. He burns her body. Fennell has stated that the ending is meant
Then the film cuts to black. For a terrifying moment, the audience believes the nihilists have taken over. But wait. There is a final scene. Cassie arranged a dead man's switch. A text message is set to go to the police if she doesn't check in. The police arrive. Al is arrested. If Cassie had killed him, he would have been the victim
Cassie wears floral scrubs, glittery makeup, and impossibly long, embellished acrylic nails. Her bedroom is a time capsule of girlhood—frilly canopies, stuffed animals, and childhood trophies.