Today, are not just surviving; they are thriving, producing, directing, and redefining what it means to be a leading lady. From the box office domination of The Substance to the streaming success of Hacks and The Crown , the industry is finally waking up to a truth audiences have known all along: stories about women with lived experience are the most compelling, dangerous, and profitable stories you can tell.
So here is to the woman over 45. Here is to her crow’s feet and her desire. Here is to her second act and her third. Hollywood has finally pulled up a chair for her at the table. And she is not leaving until she is ready. Today, are not just surviving; they are thriving,
When Something’s Gotta Give was released, the studio panicked. They thought a romance between a 50-something Keaton and a 60-something Jack Nicholson wouldn't sell. It grossed $266 million worldwide. Here is to her crow’s feet and her desire
There are great roles for women 60+ (grandmothers) and for women 25-35 (ingenues). But women between 40 and 55 still struggle. They are "too old to be young, too young to be old." Studios don't know what to do with a 48-year-old lead who isn't a superhero’s mother. And she is not leaving until she is ready
In Bollywood, K-dramas, and Nollywood, mature women are still largely relegated to supporting roles. The American shift is leading, but global cinema lags behind. Part VII: How to Support the Future (For Audiences & Filmmakers) If you want to see more mature women in entertainment and cinema, you have power.
While The Substance was celebrated, many horror films still use the "old woman" as a jump-scare monster. We need more sympathetic horror and less "witch-shaming."