If you are a film critic, you use Lacan to explain why the audience identifies with the mirror-stage of the protagonist (The Imaginary) or the law of the narrative (The Symbolic). The Matrix ? A perfect Lacanian allegory: The Matrix is the Imaginary/Symbolic reality; the Real is the barren desert of Zion; Neo is the subject trying to traverse the fantasy.
This identification is a misrecognition ( méconnaissance ). The ego is born from this alienating identification. For the rest of our lives, we chase this phantom of coherence. The Imaginary is the domain of rivalry, aggression, and seduction. It is the logic of "either/or"—if you look like a whole being, then I must too; if you have the object of desire, you are my rival. Love and hate are two sides of the same Imaginary coin. If the Imaginary is the world of the image, The Symbolic is the world of the word, the law, and the social contract. It is the order of language, kinship structures, and mathematics. Lacan calls this the Big Other (capital 'O'). If you are a film critic, you use
In politics, Lacan warns us against totalitarianism. The fascist leader tries to embody the objet a —"I know what you lack, and I am it." Lacanian psychoanalysis is an ethics of "not giving ground on one’s desire." It is not about "being happy" (which is a superego injunction); it is about staying true to the singular, traumatic kernel that makes you you . Lacan was expelled from the International Psychoanalytical Association (IPA) in 1963 for his unorthodox practice: the "variable-length session." He would famously end an analysis after a few minutes or, conversely, after a few seconds, cutting off a patient mid-sentence to force an eruption of the unconscious. This identification is a misrecognition ( méconnaissance )
Entry into the Symbolic is achieved via the (Lacan’s reinterpretation of the Oedipus complex). This is not a real father; it is the symbolic function that prohibits the child’s incestuous desire for the mother. The Name-of-the-Father imposes the law, castration (meaning the renunciation of being the mother’s all-in-all), and grants the child access to culture and language. The Imaginary is the domain of rivalry, aggression,